Wednesday 24 October 2012

Why Not? #2


WHY NOT?
Blog Post #2
Due: Wednesday October 24th, 2012
Analytical Writing

Select THREE essays from Ray Robertson’s collection. For each essay write a 1-2 paragraph response as below. Use at least 3 quotations for each response:

a) For ONE of the essays, comment on how you are able to relate to the ideas therein.
WORK
At first, before I had a job, I imagined it would be an endless droning monotony, with every break being savoured and looked forward to. In reality, the result was more like what Mr. Robertson says; although breaks are welcome, work is something to look forward to. He provides some astute observations “My mother, at home and finally free of work for a couple of precious days, gabbing on the telephone to someone she worked with, talking about – what else? Work.” I never thought that I would want to use my day off a week to talk about work, but that’s what I did. And what he says about wanting to go back to work – “It sometimes seems as if people were actually, if not quite glad, then relieved to go back to work, back to the very same jobs they were just grumbling about” – is absolutely correct. It seems awful as we’re doing it, but in fact, without the structure and discipline that work provides, we quickly become unhappy.

Mr. Robertson also knows the best way to work – on page 35, where he describes how each sentence you type is like “a climber’s spike driven into the mountain side”, giving you inspiration for your next idea and laying a foundation for the next paragraph. Usually, big assignments are like towering golems, terrifying and looming. But as you begin to chip away at them, the work becomes easier and the project seems smaller until finally it’s done.


b) For ONE of the essays, comment on Robertson’s style. Consider the way he has structured the essay, his effective use of figurative language, and the other writers he has cited therein.

LOVE
Mr. Robertson begins this piece speaking of familial love. He makes salient observations, like, “eventually, we all become our parents”. He draws on examples from his own life as well as citing renowned poets, and literary figures. Similar to the other stories in the book, he uses these quotes liberally, often on the order of one a page. Unlike the others, he uses several quotes from the same source, the tanka. Like the other pieces, he covers a few different topics, devoting a few pages to familial love, some more to lusty love, and the rest to romantic love. He transitions smoothly through these phases, eschewing titles and transition words to a series of subtle segways. An example is found on page 41: “Your father’s and your mother’s and everyone else’s father’s and mother’s. And ultimately – miraculously – your own. / Yet, as Emily Dickinson wrote, ‘The soul selects her own company’”

This is a somewhat unusual, but effective, style. It does not give it the traditional feel of a structured essay, but rather the sense of a free-flowing discourse on human nature and literature. Although I found this a little disconcerting at first, once I adapted to it I realized it was better than I thought. Robertson has a number of intriguing ideas here, and has managed to express them with great clarity. His statement that we need not a mistress when we’re young, a companion when we’re middle aged, and a nurse when we’re old, but “someone who is all three and all at once” Is a good insight on what we need in our romantic lives.


c) For ONE of the essays, write an original piece related to the same topic. Mimic Robertson’s style.

HUMOUR
Humour is the glue that holds together human interactions, the cartilage that lubricates our actions, the oil that greases awkward conversations. As Bill Cosby said “You can turn even painful situations around through laughter. If you can find humour in anything-even poverty-you can survive it.” Even in the worst, most glacial of conversations, laughter can break the ice and make it more palatable. But laughter is more than a tool for soothing inflamed discourses. Laughter is the mortar which holds relationships together. I’ve never had a friend that I didn’t share jokes with, and I don’t know anyone that I dislike that can’t regularly make me laugh. But there is more to laughter than social interactions. The ability to laugh, and the courage not to take oneself seriously are essential qualities to living a happy life. As E.E. Cummings said “The most wasted of all days is one without laughter” a man who does not laugh is a man who is not getting all he can out of life.

More than this, however, is the fact that laughter is one of the most mundane activities on earth, concerning itself with the most mundane activities on earth. We laugh several times an hour, the jokes often being about something only relevant in that moment. And yet, that is what makes it so special. Laughing at the daily absurdities, irrationalities, or simply oddities is how we can deal with and accept them. Of course, it’s important not to look into it too much – the saying “Analysing humour is like dissecting a frog. Few people are interested and the frog dies of it” by E.B White is true.

Monday 1 October 2012

On "The material world" By Jay Roberston


The piece on the material world seems overly focused on physiological aspects of life as well as sex. This isn’t an unworthy topic, but with a title like “The material world” I would have expected a piece rambling about the dangers of being materialistic, quoting heavily from other authors before finally going on the conclude it’s alright to enjoy some guilty pleasures. Rather, I got a piece rambling about the discomforties of life, quoting and commenting heavily from other authors before finally concluding that the body can be a good thing to have. Like every other piece in the book, “The Material World” is not an organised thought process discussing the merits of an aspect of human life, but rather a confused stream of consciousness mostly composed of explanations and quotes of other writer’s works. It would be suitable for leaving on the coffee table for light chatter at parties, or perhaps reading on the way to yoga class, but presents little in the way of original content worthy of serious study.

There are a few thought provoking passages here:
“People who are always taking care of their health are like misers hoarding a treasure which they have never spirit enough to enjoy” (Laurence Sterne) This piece exactly sums up the danger of obsessing too greatly over one’s health and causes you to think about your approach to health.

“Once the decision has been made to celebrate rather than cogitate, simple good health has to rank foremost when enumerating the pleasures of the material world.” This sentence expresses the joy of being healthy, cautioning readers to rethink their assumptions as to what kind of health they should take pleasure in, and not worry too much about being perfect.